
#Girl seance full#
Closed-captioning tells us there are “whispering voices” everywhere including “calling in distance,” “cawing,” “panting,” “screeching,” and “howling.” Then the young woman falls into a deep pit full of spikes and dies. (It’s giving, very bleakly, Wind River.) As she sprints, crying and panting, the young woman passes various symbols carved in tree trunks (including one that looks like a watchful evil eye) and totems made of bones, feathers, and bark. A girl runs through a snowy forest, bleeding from her foot, wearing what looks like a thin nightgown. Who dies in that opening scene? The sequence is all of 90 seconds or so, and it’s eerie and brutal. That final query stands side by side with the series’ most long-running mystery, the one introduced in the premiere’s opening minutes that has since hung over Yellowjackets like a ghost. On the other hand, whether in the 1996 or 2021 timelines, there are inexplicable things that are just pretty damn fun to theorize about! What is the deal with that monstrous eyeless man and that red glint to Taissa’s gaze? How long can an individually owned furniture store really survive in an era of Ikea, Ashley, and Bob’s? Why is Shauna’s daughter, Callie, such a brat? Is Lottie, revealed in “Doomcoming” as the Antler Queen from the premiere episode, really clairvoyant and are her visions actually the future? And doesn’t that symbol carved in the trees and the cabin’s attic floorboards look like a woman’s body speared through and hung up with a hook?

Ellie Sattler, “sexism in survival situations” without treating it like a puzzle to be unlocked.

On the one hand, you could enjoy the show for the ensemble’s dedicated performances, the pitch-perfect soundtrack choices, and the thoughtful portrait of, in the words of Dr. Yellowjackets is awash in, for lack of a better term, weird shit, with just enough ambiguity to make you wonder whether what you’re watching is real, imagined, or somewhere in between. Spoilers follow for Yellowjackets through episode nine, “Doomcoming.”
